Tag Archives: Light

Expressive Nature Photography Officially on Sale TODAY

 

Expressive nature photography is about first finding what excites you in the location or scene, and then figuring out the way to communicate what you feel about what you are seeing, and that requires applying the concepts of light, composition, visual depth, and point of view, along with other technical things like the appropriate depth-of-field or shutter speed. In my latest book, I discuss all of these things and more, illustrated with new photographs, and I’m very excited about this book – 240 pages of idea and tips to help others become better at creating photographs that have more impact. SUMMER is a great time to read this and put it to good use – and keep using it into Autumn, and well, Winter, and then there’s next Spring…

This book is now available at bookstores everywhere – and on line. HAPPY BIRTHDAY, Expressive Nature Photography! It always feels good to give ‘birth’ to a new project…

Signed copies are available on my site (higher price), or visit your favorite on-line or brick-and-mortar store to order a copy. 

Enjoy, and keep on photographing!

 

 

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Photo Tips for Landscapes – An Excerpt from the Book

             Tre Cimi formation and stream, Dolomite Range, Italy.

 

It’s a perfect time to get out there and celebrate summer – and photograph the landscape. With that in mind, I’m sharing a few pointers taken from the pages of my new book, Expressive Nature Photography – that goes on sale July 25th! 

• Try to be there in great light. (Always a great idea, and by great light, it doesn’t have to be sunny! Look for drama in the light for landscapes.)

• Get physically close to things in the foreground. This exaggerates their size in relationship to other objects and elements in the frame behind them. (It also puts the viewer in your shoes…)

• You may need to be at a slightly higher position to show background elements, and keep them separated from the foreground. (i.e. watch for mergers!)

• Find a way to create a flow for the eye by using leading lines, or a repetition of rocks, or tufts of grass, to bring the viewer from foreground to background.

• Make sure you have sharpness throughout the scene. You’ll typically be using f/11 to f/22 for an aperture, but you’ll need to set a hyper-focal focus. Use a hyper-focal app on your smart phone, or printed charts to calculate and set the hyper-focal focus to get foreground to background in focus.

That’s it – as if it were that simple, right? But keeping tips like these in mind when you do find a great landscape will help you create more impact in your photographs, something we all want.

Thanks for visiting, and have fun out there!

 

 

 

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Desert Sunshine

After teaching in Saguaro National Park and Tanque Verde in Tuscon, last week, I headed back down to Organ Pipe Nat’l Monument, as I figured the brittlebush would be in full bloom, and I was not disappointed! Clouds of yellow dotted the hillsides amidst the cactus. Poppies and other flowers were very small and not carpeting the hillsides, and yellow was the dominant color and I went with it. I love this park for the topography of the mountains, which provide great landscapes

We had one day of clouds (finally) that allowed me to have some visual interest in the sky and I worked fast to make various compositions while the morning light lasted. 

Headed up to Phoenix area to visit a friend and do some business, and I’m now heading into California to photograph flowers. I’ve missed some, they ‘went off’ earlier than I could be there, but the word is the southern half is still going wild…

 

 

Thanks for visiting!

 
 

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One From the Cutting Room Floor

Curtains of virga and clouds over Canyonlands National Park, Utah.

The final edits for my new book, “Expressive Nature Photography” are finished, and this ‘baby’ didn’t make it! Hard to accept, as we all love our children, right?! But you just can’t fit all your ‘babies’ into one book, ever. This was from a short section on black and white nature photography, and it’s worthy, there were just too many to select from. I guess that’s a good thing, to have more good pics than not enough, eh?!

In the movies, in film days, the reels were cut/spliced to remove unwanted bits and segments. The phrase ‘cutting room floor’ referred to all the little bits of film that were left there after the production people got finished! Actors and actresses alike had to accept that some of what they thought were their best moments might get cut. Essentially the same thing happened – some of my faves just didn’t work into the final flow of ideas/pictures. Sigh, but then maybe they’ll be right for the next book!!

Now I can get on to other projects; I’ll be hitting the road to Arizona this weekend, for some Spring photography, and teaching for MISA at Tanque Verde.

Note: This new book is being published by Monacelli Press and will be released in August 2017, and available through your favorite bookstore(s). 

All best, and thanks for visiting,

 
 

Posted in Black-and-White, Brenda Tharp's Photo Blog, Landscape Photography, nature photography Also tagged , , , , , |